Tuesday Top Ten: Bands and Artists Who Deserve to be in the Rock and Roll Hall of Fame

Today, the 2014 Rock and Roll Hall of Fame inductees were announced.  The KISS Army and hard rock and metal fans (Eddie Trunk, undoubtedly included) are rejoicing, as KISS was finally inducted.  It was only about 15 years too late, but better late than never.  Gene Simmons was surprisingly grateful, and even said that he was very open to a reunion with the original line-up for the induction ceremony and concert.

Joining KISS will be Nirvana, Hall and Oates, Peter Gabriel, Linda Ronstadt, and Cat Stevens.  In addition, The E Street Band will be getting the Award for Musical Excellence, and Beatles manager Brian Epstein and original Rolling Stones manager Andrew Loog Oldham (who managed the Stones from 1963-1967) will both be receiving the Ahmet Ertegun Award for non-performers (posthumously for Epstein, who died in 1967).

The induction ceremony is going to be at the Barclay's Center in Brooklyn on April 10, 2014, and it is going to be the largest venue that has hosted an induction ceremony to date.  Sadly, it looks like Linda Ronstadt is not going to be able to make it or perform, due to her worsening battle with Parkinson's Disease.

Further proving that Rock and Roll Hall of Fame voters read GMYH, they voted in four of the six artists or groups that I argued back in October most deserved to be in (Hall and Oates, KISS, Nirvana, and Ronstadt).  Back in January 2012, I posted a list of the ten artists and bands who I thought most deserved to be in the Rock Hall, but were not -– which, for all intents and purposes, was written just to mention how ridiculous it was that KISS had not yet been inducted.  Several bands and artists on that list have since been inducted, and there have also been a couple more Hall-worthy bands and artists that have become eligible since then.  Given my clear influence over the rock and roll intelligentsia, I feel compelled to keep fighting the good fight.  With that, here is my list of the top ten Rock and Roll Hall of Fame snubs, in alphabetical order, with the year of the band's first album in parentheses.  I have, for the most part, just copied and pasted what I have already said about them, so deal with that.

Other snubs (in alphabetical order): Boston, Jimmy Buffett, Cheap Trick, Joe Cocker, The Cure, The Doobie Brothers, Duran Duran, ELO, The Guess Who, Jethro Tull, Journey, LL Cool J, The Monkees, The Moody Blues, Motley Crue, Willie Nelson, Ted Nugent, Ozzy Osbourne solo, The Replacements, Sonic Youth, Soundgarden, Steppenwolf, Styx, Stevie Ray Vaughan, and Yes

1 and 2 (tie).  Pat Benatar (1979) and Joan Jett (1980)

I wouldn't feel right advocating one over the other, so I'm including both.  Both Benatar and Jett were pioneering female rockers.  That is, they were females that rocked (as opposed to played folk music or were singer-songwriters), and there is a noticeable shortage of rocking females in the Rock Hall.  Jett, of course, was a member of the all-girl rock group The Runaways in the '70s before having a successful career in the '80s fronting Joan Jett and The Blackhearts.  While she only had two platinum albums and 4 Top 40 studio albums, you can't deny the impact (and the balls) of songs like "I Love Rock and Roll" (a #1 hit in the US and several other countries), "Bad Reputation," and "I Hate Myself for Loving You."  All in all, she had 9 US Top 40 hits, 3 Top 10 hits, and one #1.  Benatar was more successful from a sales and charting perspective.  A mainstay of the early MTV era, she has 6 platinum albums, 9 Top 40 albums in the US, including 6 that hit #14 or better, three Top 5 albums, and one #1 (1981's precious time).  Between 1979 and 1988, she had a pretty solid run of singles, with 15 Top 40 hits in the US, including four that cracked the Top 10.  Songs like "Heartbreaker," "Hit Me With Your Best Shot," "Love is a Battlefield," and "We Belong" were not only big hits, but also songs that have held up pretty well.  Both Benatar and Jett showed that hard rock was not just a boys' club, and they have certainly influenced female rockers over the past three decades.

3. Bon Jovi (1984)

Bon Jovi, like Def Leppard (see below), is lumped negatively into the hair band genre. Both were bigger than the genre, in my opinion. Bon Jovi has sold an estimated 142 million albums worldwide, and has managed to weather the '90s and beyond better than just about any other band that can be labeled a hair band. They have 10 platinum albums, 15 Top 40 albums, 11 Top 10 albums, and 4 #1 albums -- including Top 5 albums in the '80s, '90s, '00s, and '10s and a #1 album this year.  Their worst-charting studio album of their ten since 1985 went to #9.  They also have 17 Top 40 hits (8 of which were in 1992 or after), 10 Top 10 hits, and 4 #1s. When they come to Chicago, they play Soldier Field, which few other bands can do.

4. The Cars (1978)

The Cars get lumped into new wave and the '80s, but they were unique in that they had the new wave look and certainly used synthesizers, but also had more of a rock legitimacy to their music than a lot of new wave bands.  I would say that they are more critically acclaimed and accepted than a lot of other new wave bands.  "Just What I Needed" has held up better than most other songs that you might consider "new wave." The Cars released 7 studio albums (6 between 1978 and 1987 and one in 2011), and their lowest charting album still hit #26, with all but one of the remaining albums (their debut) breaking the Top 10. Between 1978 and 1987, they had 13 Top 40 hits and 4 Top 10 hits. You can hear (or at least I can hear) their influence in bands like The Strokes, Hockey, and Franz Ferdinand.

5. Chicago (1969)

Chicago is another one of those bands that is sneakily successful. The only American band with more success on the Billboard singles and albums charts is the Beach Boys. They have sold over 120 million albums worldwide, with 18 platinum albums, five #1 albums, three #1 songs, and 21 Top 10 songs. They were the leading US singles charting group during the 1970s. They released 12 albums in the '70s, five of which hit #1 and ten of which were in the Top 10. All but one of the 30 singles they released in the '70s charted on the Billboard Top 100, with 22 Top 40 hits, 13 Top 10 hits, and one #1.

6. Deep Purple (1968)

Deep Purple is one of the most underrated bands in rock history, in my opinion. The band was one of the pioneers of heavy metal, and a huge influence on the genre, be it Richie Blackmore's guitar, Ian Gillan's soaring vocals, or Jon Lord's fuzzed-out organ. They found success with various different line-ups, with 8 Top 40 studio albums in the US and 10 in the UK (and 22 total Top 40 albums in the UK including live albums and compilations). Songs like "Smoke on the Water," "Woman From Tokyo," "Hush," and "Highway Star" are hard rock staples.

7. Def Leppard (1980)

Def Leppard is one of my favorite bands, so I am admittedly a little biased, but then again, they deserve a spot in the Rock Hall. They are one of the most successful bands of the '80s, with both 1983's Pyromania and 1987's Hysteria being certified diamond albums by the RIAA, making them one of only five rock bands with two RIAA certified diamond albums (the others being The Beatles, Led Zeppelin, Pink Floyd, and Van Halen, all of whom are in the Rock Hall). Def Leppard has sold an estimated 65 million albums worldwide, and has 8 certified platinum albums, 6 Top 10 albums in the US (12 Top 20) and 7 in the UK, and 15 Top 40 hits in the US and 19 in the UK. Musically, they were much more complex than other bands from their genre, and unlike nearly every other band from the hair band era, Def Leppard has stayed together, continued to make music, and still tour successfully. Frankly, any band that can make a certified diamond album after its drummer loses an arm in a car accident deserves a nomination.

8 and 9 (tie). Iron Maiden (1980) and Judas Priest (1974)

Like Benatar and Jett, you can't in good conscience induct one without the other, so I am including both. They are two of the most influential bands in heavy metal history, hands down. Iron Maiden is a tour de force, with over 80 million albums sold worldwide and a rabidly loyal following across the globe, selling out stadiums and arenas for 30 years. They define the New Wave of British Heavy Metal. Despite having virtually no airplay in the US, they have 8 gold or platinum albums, 13 Top 40 albums, and 2 Top 10 albums in the US. In the UK, they have 27 Top 40 albums, 14 Top 10 albums, 4 #1 albums, and 35 of the 41 songs they have released as singles have hit the UK Top 40, with 17 Top 10 hits and one #1. Judas Priest is the band that gave metal its black leather and pushed metal from the early sounds of Black Sabbath and Deep Purple towards the New Wave of British Heavy Metal, thrash, and hair bands. With their twin lead guitar attack and soaring vocals, Priest, like Maiden, achieved huge success with little airplay in the States. They have 11 Top 40 albums in the US. As with Iron Maiden, they achieved more success in their native UK, with 14 Top 40 albums, 2 Top 10 albums, and 5 Top 40 hits. There aren't too many hard rock or metal bands since these two came along that don't list them as major influences.

10. Steve Miller Band (1968)

The Steve Miller Band is one of those bands that you forget how successful they were, but if you turn on a classic rock radio station, you are almost guaranteed to hear one of their songs within a couple of hours, whether it's "The Joker," "Jet Airliner," "Jungle Love," "Take the Money and Run," "Rock'n Me," "Swingtown," "Abracadabra," or "Fly Like an Eagle." They had five platinum albums (out of six released) between 1973 and 1982 (four of which hit the Top 3 on Billboard's album charts). During that same span, they had 13 Top 100 hits, 9 Top 40 hits, 5 Top 10 hits, and 3 #1s. As a drunk chick once said, "Steve Miller is the soundtrack of my life."  I think that statement is probably true of a lot of people who grew up between the mid '70s and early '80s.

11.  N.W.A. (1988)

I really thought N.W.A. was going to be inducted this year, which was their first year of eligibility.  Like I've said before, I have no problem with rap and hip hop acts being in the Rock and Roll Hall of Fame, and N.W.A. is probably my favorite rap group ever. They represent everything that is "rock and roll," from their innovative and gritty music to their fuck-the-establishment (and the police) attitude to their dissolution due to members being prima donnas.  They changed rap and hip hop, ushered in gangsta rap, and produced two of the most important names in rap and hip hop history, Dr. Dre and Ice Cube.  Frankly, I can't think of more than a handful of rap or hip hop acts that I would consider more important and worthy of Rock Hall induction than N.W.A. (and most of the others are already in the Hall).