Sunday, February 28, 2021
Championship Week is Here!
Saturday, February 27, 2021
CoronaVinyl Day 226 (M): Got To Find a Way by Curtis Mayfield
For an explanation of CoronaVinyl, click here.
I meant to post this last night, but instead I decided to watch a great Showtime documentary on Motown called Hitsville: The Making of Motown. It's free on Amazon Prime Video until tomorrow, so watch it if you can!
Yesterday's CoronaVinyl category was "M," and I ended Black History Month with a bang, listening to Curtis Mayfield's 1974 album Got to Find a Way. Back in April, a mere 194 CoronaVinyl albums ago, I featured Mayfield's iconic Super Fly soundtrack for the "Illinois" category, and I ran through his history and many accomplishments there, so I won't repeat all that here. Suffice it to say, Mayfield is a soul and funk icon.
On Got to Find a Way -- which only has three songs per side -- Mayfield continued to hone his funk/soul jam skills, with all but two songs clocking in at 5:50 or longer. The album wasn't a huge success -- topping out at #76 on the Billboard album chart and #18 on the Billboard R&B album chart, and only producing one charting song, "Mother's Son," which reached #15 on the Billboard R&B singles chart -- but I think it's pretty damn good. Mayfield's voice is silky as always, and the album somehow sounds polished and funky at the same time (and I'm not using "polished" pejoratively). Of course, I prefer the funkier songs to the slower, soul ballads, but that's just me.
I like the second side better than the first because all three songs are on the funkier side. It was really a toss-up between all three songs, but I went with "Mother's Son." It's funky, baby.
Friday, February 26, 2021
Hair Band Friday - 2/26/21
1. "Face Down in the Gutter" by XYZ
2. "I'll Be There For You" by Bon Jovi
3. "Bad Attitude Shuffle" by Cinderella
4. "Public Enemy #1" by Mötley Crüe
5. "Fire In My Heart" by Lita Ford
6. "Operation: Mindcrime" by Queensrÿche
7. "The Hellion" by Judas Priest
8. "I Said The Wrong Thing to the Right Girl" by Keel
9. "Red Lite, Green Lite, TNT" by Kix
10. "Tora! Tora!" by Van Halen
Thursday, February 25, 2021
CoronaVinyl Day 225 (L): Dr. Feelgood by Billy Larkin & The Delegates
For an explanation of CoronaVinyl, click here.
Apologies for not posting anything yesterday. I was way too damn busy, and on top of that, I was working in an area of the house without a turntable (egad!). Today's CoronaVinyl category is "L," and I'm going with a 1968 album by Billy Larkin & The Delegates called Dr. Feelgood (no relation to the 1989 Mötley Crüe album of the same name).
There's not much online about Billy Larkin or The Delegates, but from what I can gather from the liner notes and some stuff online, Larkin was a Portland-based jazz/soul organist, and The Delegates were his backing band. They were active from about 1964 to 1968.
Dr. Feelgood -- which has the subtitle "introducing Ralph Black" -- is a combination of instrumental songs and non-instrumental songs, the latter with Black on vocals. The songs mostly have soul or jazz feel (with some blues mixed in), Black's voice is smooth, and the musicians are great. It's generally a pleasurable album to listen to while doing some work.
The album isn't on Spotify, though I'm embedding a YouTube video with the full album. Here's a track listing. If it's a cover, I'm listing the original artist. If it's an original, I note that. And if it's an instrumental, I note that as well.
Side 1
1. "On Broadway" (cover of The Drifters)
2. "(Sittin' On) The Dock of the Bay" (cover of Otis Redding) (instrumental)
3. "Baby I Love You" (cover of Aretha Franklin)
4. "Way Cross Town" (original)
5. "Chain of Fools" (cover of Aretha Franklin) (instrumental)
6. "This Is Worth Fighting For" (cover of several artists, including Gil Bernal)
Side 2
1. "Spooky" (cover of The Classics IV) (instrumental)
2. "Gone Over You" (appears to be a cover)
3. "Hear & Now" (original) (instrumental)
4. "Ode to Billie Joe" (cover of Bobbie Gentry)
5. "Dr. Feelgood" (cover of Aretha Franklin) (instrumental)
6. "I Got a Woman" (cover of Ray Charles)
The band takes Bobbie Gentry's #1 hit from 1967 and transforms it from its original country form to pure soul.
Tuesday, February 23, 2021
CoronaVinyl Day 224 (K): Love Gun by KISS
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Today's CoronaVinyl category is "K," and all I have left are KISS albums. You may think that only the four members of the band -- whoever they might have been at any particular time -- performed on KISS albums, such that I wouldn't be able to find a way to fit a KISS album into my February Black History Month theme. However, on the band's 1977 Love Gun album, the band had the help of several African-American singers on the song "Tomorrow and Tonight." Specifically, the signature backing vocals on the song were courtesy of former Broadway singer/actress Tasha Thomas, Ray Simpson of the Village People (he would become "the Cop" in 1979, and his sister is Valerie Simpson, one half of the legendary songwriting team of Ashford and Simpson), and opera singer Hilda Harris.
Love Gun was KISS's sixth studio album, and when it was released, KISS was on top of the rock world. It's a great album top to bottom (or at least top to the penultimate song, since the last song on the album is a seemingly out-of-place cover of The Crystals' "Then He Kissed Me"). Love Gun was the first KISS album to feature lead vocals from all four members of the band, and there really isn't a bad song on the album (even "Then She Kissed Me," which was written by . "Christine Sixteen" and "Tomorrow and Tonight" show off the band's glam chops, the title track, "I Stole Your Love," and "Shock Me" became concert staples, "Got Love For Sale," "Almost Human," "Plaster Caster," and "Hooligan" are underappreciated gems.
The album was the band's highest-charting album up to that point, and their first Top 5 album on the Billboard album chart, going to #4. It produced the band's sixth Top 40 hit on the Billboard Hot 100, "Christine Sixteen," a song whose subject matter (Gene Simmons lusting after a 16-year-old girl) doesn't really hold up, even if the music does. That reached #25. The title track also reached #61.
As you can see, I have the original album, complete with a cardboard "Love Gun," a KISS merchandise order form, and little glossy insert of photos called "The Evolution of KISS." My only quibble is that this is another one of those albums where the track listing on the back of the album doesn't match up with the actual order of songs on the album.
"Plaster Caster" is about Cynthia Plaster Caster, a woman who used to make plaster molds of famous musicians' erect dongs, including Jimi Hendrix, Frank Zappa, and Eric Burdon, among others. The song is hard, but not too long. Ah-thank you.
Monday, February 22, 2021
CoronaVinyl Day 223 (J): Off the Wall by Michael Jackson
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Today's CoronaVinyl category is "J," and we're going with Michael Jackson's breakthrough solo album, 1979's Off the Wall.
Though he had been a star for a decade, both as a member of the Jackson 5 and as a solo artist, he wasn't yet The King of Pop or the international star that he would become in the early '80s. The mid to late '70s weren't particularly successful for Jackson, with only a smattering of minor hits.
To shake things up, Jackson left Motown for Epic Records and teamed with producer Quincy Jones (who would produce his next several albums as well) and, for the most part, cut musical ties with his family. The result was pure magic, setting the stage for Jackson's ascent into unprecedented stardom that would come three years later with Thriller.
Off the Wall is a combination of pop, soul, funk, and disco, with songwriting contributions from Jackson himself, Paul McCartney, Stevie Wonder, Rod Temperton, and David Foster, among others. The album reached #3 on the Billboard album chart,which was his highest-charting solo album at the time. It also topped the Billboard R&B album chart for 16 weeks and reached the Top 10 on the album charts in Australia, Canada, The Netherlands, New Zealand, and the UK.
The album produced four Top 10 singles on the Billboard Hot 100, making Jackson the first solo artist to have four Top 10 songs from the same album. "Don't Stop 'Til You Get Enough" was Jackson's second solo #1, and his first since "Ben" in 1972. "Rock With You" also hit #1, and the title track and "She's Out of My Life" both went to #10.
Off the Wall has gone 9x platinum in the U.S., has attained platinum certification in eleven other countries, and has sold 20 million copies worldwide. It was ranked #36 on Rolling Stone's most recent list of the 500 Greatest Albums of All-Time.
The title track is another funk/disco song that's all about escaping the mundanity of your daily life when you're going out at night.
Friday, February 19, 2021
CoronaVinyl Day 222 (I): Iron Maiden by Iron Maiden
For an explanation of CoronaVinyl, click here.
Today's CoronaVinyl category is "I," and I only have one album left by an "I" artist, so today you are graced with Iron Maiden's eponymous 1980 debut album.
It's fitting that Iron Maiden falls on Day 222 of CoronaVinyl. If multiplied by three, 222 becomes 666 -- the Number of the Beast, which is Iron Maiden's third studio album. And if one two is removed, it becomes 22 -- as in the address on Acacia Avenue on which Charlotte the Harlot lives. It
Anyway, back in 1980, Iron Maiden and other British metal bands basically changed the metal game, inventing a new genre called the New Wave of British Heavy Metal classic, which combined the energy and speed of punk music with the virtuosity and musicianship of metal.
With their twin lead guitars, insane bass lines, and dark, often literary, and sometimes medieval imagery in their lyrics, Iron Maiden quickly established themselves as metal gods. As you may or may not know, this was one of two albums made with lead singer Paul Di'Anno, before he was replaced by Bruce Dickinson. Di'Anno has more of a gritty punk voice, in stark contrast to Dickinson's booming operatic voice. Bass player Steve Harris, who is also the band's lead songwriter, is ridiculous. The album not only changed metal, but also introduced the world to rock music's most identifiable mascot, Eddie.
While the album didn't chart in the U.S., it was a hit in the UK, getting as high as #4 on the UK album charts, the first of the band's studio 14 albums (and 17 albums overall) that cracked the UK Top 10 (five went to #1). It also spawned the band's first UK Top 40 hit, "Running Free," which reached #34. In addition, "Sanctuary" -- which was featured on the U.S. version of the album, but not the UK version -- went to #29. The band would go on to have an additional 32 Top 40 hits in the UK, including 16 Top 10 songs and one #1 (1990's "Bring Your Daughter ... To the Slaughter").
Iron Maiden (the album) is an important and influential album in metal history, and it has rightfully received various accolades over the years. In 2017, Rolling Stone ranked the album #13 on its list of 100 Greatest Metal Albums of All Time.
The rare self-titled song from a self-titled album, "Iron Maiden" starts off with a guitar riff that beckons you. And then Di'Anno himself beckons you with the first line, in which he asks you to come into his room so that he can show you all his wares. However, his motives are not innocent. This is a frenetic, fantastic metal song.