Tuesday, February 09, 2021

CoronaVinyl Day 214 (A): Track Record by Joan Armatrading

For an explanation of CoronaVinyl, click here.

We are starting our third trip 'round the alphabet, back at "A."  Today's selection is Joan Armatrading's 1983 compilation album Track Record.  The album cover shows Armatrading in a sprinter's stance on top of a piano.  It seems dangerous, but I guess she must not have suffered any serious injuries because she's still alive 38 years later. 

Armatrading is one of those artists who I've heard of and have maybe heard a handful of songs here and there, but really don't know much about.  Born in St. Kitts, she moved to Birmingham, England at age 3.  As a teenager, she began writing songs and playing the piano and guitar, and she eventually released her first album in 1972.

Track Record contains 13 songs she released between 1976 and 1983.  I wasn't sure exactly what to expect, and I must say that I enjoyed Track Record.  Armatrading shifts among genres pretty easily and adeptly, and the songs on the album range from pop to rock to reggae to singer-songwriter to blues to R&B.  The album went to #18 on the UK album chart and #113 on the Billboard album chart, as well as #4 on the Australian album chart.

While Armatrading didn't enjoy a ton of success across the pond here in the U.S. (her highest-charting album, 1980's Me Myself I, reached #28), all seven of her studio albums released between 1976 and 1985 broke into the Top 15 of the UK album chart.  She has had a long career in music that continues to this day.  In 2007, she topped the Billboard Blues album chart with her album Into the Blues.

Favorite song from Side 1:  "(I Love It When You) Call Me Names"
This one is originally from her 1983 album The Key, and it's a saucy little early '80s rocker that could have just as easily been on a Pat Benatar or Joan Jett album of that time.  It's catchy, and it has some humor (or humour, if you will).

Favorite song from Side 2:  "Rosie"
This song is from her 1979 EP How Cruel, which was nominated for the Grammy Award for Best Female Rock Vocal Performance in 1981.  It's a poppy reggae song, complete with steel drums. 

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